WG Meeting: Critical Points

1. TRAINING (of the Actor-Singer-Dancer)
• Musicality / Rhythm as Schematics
• Writing
• Across Genres
• Intersections
• Hearing & Listening
  
  
2. DRAMATURGIES OF SUCCESS AND FAILURE
• Economics
• Structural Concerns
• Commercial and / vs Artistic
• Definitions of Success / Failure
• Across Genres
• Public Expectations and Conditions
• Role of Critics
• Composition of the Audience (Homogenous?)
• Audience-Consumer or Citizen
  
  
3. THEATRE SOUND / MATERIALITY