The new issue of Theatre Research International 48.2 is now available on Cambridge Core.

Editorial

Editorial: What Memory Wants
SILVIJA JESTROVIC

Article

How Does Khashabi Theatre Produce a ‘Dual Presence’ of Palestinian Urbanism? Ghosts and Memory in Its First Season, Haifa, 2015–2016
DORIT YERUSHALMI

Ghostly Interpellations: Testimonial Inscriptions on the Stage
CAMILA ASCHNER-RESTREPO

‘Stalin Died but Not Completely’: On the Theatrical Legacy of Totalitarian Catastrophe
YANA MEERZON

‘Try Again. Fail Again. Fail Better’: Adapting Samuel Beckett's Waiting for Godot for the Chinese Stage – Real and Virtual
WEI ZHANG

How the Teatro Olimpico and the Drottingholm Slottsteater ‘Perform’ Their Pasts
ED MENTA

Book Review

A History of Butô. By Bruce Baird. New York: Oxford University Press, 2022. Pp. 272. £81.00/$125.00 Hb; £25.99/$39.95 Pb.
Nanako Nakajima

Marginalized: Southern Women Playwrights Confront Race, Region, and Gender. By Casey Kayser. Jackson: University Press of Mississippi, 2021. Pp. xii + 202 + 18 illus. $99.00 Hb; $30.00 Pb.
Andrea Pelegrí Kristić

Performing the Wound: Practicing a Feminist Theatre of Becoming. By Niki Tulk. London and New York: Routledge, 2022. Pp. ix + 182 + 12 illus. £33.29/$48.95 Hb.
Daizhao Zou