Theatre Research International 43.1 is now available at https://www.cambridge.org/core/journals/theatre-research-international/latest-issue.

Editorial: Many Voices

PAUL RAE
Theatre Research International, Volume 43 / Issue 1, March 2018, pp 1 - 5
doi: 10.1017/S0307883318000020 Published Online on 1 June 2018

Articles

Jerusalem's Roses and Jasmine: A Resistant Ventriloquism against a Racialized Orientalism
SAMER AL-SABER
Theatre Research International, Volume 43 / Issue 1, March 2018, pp 6 - 24
doi: 10.1017/S0307883318000032 Published Online on 1 June 2018

Performing Anti-nationalism: Solidarity, Glitter and No-Borders Politics with the Europa Europa Cabaret
KATE ELSWIT
Theatre Research International, Volume 43 / Issue 1, March 2018, pp 25 - 44
doi: 10.1017/S0307883318000044 Published Online on 1 June 2018

An Icy Heaven: Arab Migration on Contemporary Nordic Stages
MARGARET LITVIN, JOHANNA SELLMAN
Theatre Research International, Volume 43 / Issue 1, March 2018, pp 45 - 62
doi: 10.1017/S0307883318000056 Published Online on 1 June 2018

Sugar Overflows and Teatro Obrero's Escalante Story
JAZMIN BADONG LLANA
Theatre Research International, Volume 43 / Issue 1, March 2018, pp 63 - 82
doi: 10.1017/S0307883318000068 Published Online on 1 June 2018

Occupying Las Ramblas: Ocaña's Political Performances in Spain's Democratic Transition
DAVID RODRÍGUEZ-SOLÁS
Theatre Research International, Volume 43 / Issue 1, March 2018, pp 83 - 98
doi: 10.1017/S030788331800007X Published Online on 1 June 2018

Book reviews:

Contemporary Japanese Women's Theatre and Visual Arts: Performing Girls’ Aesthetics. By Nobuko Anan. London and New York: Palgrave Macmillan, 2016. Pp. vii + 299 + 16 illus. £55/$90 Hb; £43.99/$69.99 Ebook.
Reviewed by Jyana S. Browne
Theatre Research International, Volume 43 / Issue 1, March 2018, pp 99 - 100
doi: 10.1017/S0307883318000081 Published Online on 1 June 2018

The Mill: Experiments in Theatre and Community. By Meredith Rogers. North Melbourne: Australian Scholarly Publishing, 2016. Pp. xii + 298 + 30 illus. AU$39.95 Pb.
Reviewed by David Watt
Theatre Research International, Volume 43 / Issue 1, March 2018, pp 100 - 102
doi: 10.1017/S0307883318000093 Published Online on 1 June 2018

The Routledge Circus Studies Reader. Edited by Peta Tait and Katie Lavers. London and New York: Routledge, 2016. Pp. 626 + 39 illus. £110/$160 Hb; £37.99/$54.95 Pb.
Reviewed by Sakina M. Hughes
Theatre Research International, Volume 43 / Issue 1, March 2018, pp 102 - 103
doi: 10.1017/S030788331800010X Published Online on 1 June 2018

Forms of Conflict: Contemporary Wars on the British Stage. By Sara Soncini. Exeter: University of Exeter Press, 2016. Pp. 314 + 6 illustrations. £65/$100 Hb; £22.50/$35 Pb.
Reviewed by Alison Christy
Theatre Research International, Volume 43 / Issue 1, March 2018, pp 103 - 105
doi: 10.1017/S0307883318000111 Published Online on 1 June 2018

The Penelope Project: An Arts-Based Odyssey to Change Elder Care. Edited by Anne Basting, Maureen Towey, and Ellie Rose. Iowa City: University of Iowa Press, 2016. Pp. ix + 191. $24.95 Pb.
Reviewed by Claire Syler
Theatre Research International, Volume 43 / Issue 1, March 2018, pp 105 - 106
doi: 10.1017/S0307883318000123 Published Online on 1 June 2018

Devouring Time: Nostalgia in Contemporary Shakespearean Screen Adaptations. By Philippa Sheppard. Montreal and Kingston: McGill-Queen's University Press, 2017. Pp. 440 + 12 illus. CA$34.95/US$29.95 Pb.
Reviewed by Edward Plough
Theatre Research International, Volume 43 / Issue 1, March 2018, pp 106 - 108
doi: 10.1017/S0307883318000135 Published Online on 1 June 2018

Staging Chinese Revolution: Theater, Film, and the Afterlives of Propaganda. By Xiaomei Chen. New York: Columbia University Press, 2016. Pp. 384 + 32 illus. £44/$60 Hb.
Reviewed by Qing Ai
Theatre Research International, Volume 43 / Issue 1, March 2018, pp 108 - 109
doi: 10.1017/S0307883318000147 Published Online on 1 June 2018

Independent Theatre in Contemporary Europe: Structures – Aesthetics – Cultural Policy. Edited by Manfred Brauneck and ITI Germany. Bielefeld: Transcript, 2017. Pp. 602 + numerous illus. €29.99 Pb; free Ebook.
Reviewed by Jasna Jasna Žmak
Theatre Research International, Volume 43 / Issue 1, March 2018, pp 109 - 111
doi: 10.1017/S0307883318000159 Published Online on 1 June 2018

Théâtre et psychanalyse: Regards croisés sur le malaise dans la civilisation. Edited by Christiane Page, Carolina Koretzky, and Laetitia Jodeau-Belle. Montpellier: Editions L'Entretemps, 2016. Pp. 334. €27/£22 Pb.
Reviewed by Maria Grazia Turri
Theatre Research International, Volume 43 / Issue 1, March 2018, pp 111 - 112
doi: 10.1017/S0307883318000160 Published Online on 1 June 2018

The Only Way Home Is through the Show: Performance Work of Lois Weaver. Edited by Jen Harvie and Lois Weaver. Bristol: LADA and Intellect, 2015. Pp. 320 + illus. £24.50 Pb.
Reviewed by Jennie Klein
Theatre Research International, Volume 43 / Issue 1, March 2018, pp 113 - 114
doi: 10.1017/S0307883318000172 Published Online on 1 June 2018

Performing the Digital: Performativity and Performance Studies in Digital Cultures. Edited by Martina Leeker, Imanuel Schipper, and Timon Beyes. Bielefeld: Transcript, 2016. Pp. 304. €29.99 Pb; free Ebook.
Reviewed by Erin Sullivan
Theatre Research International, Volume 43 / Issue 1, March 2018, pp 114 - 115
doi: 10.1017/S0307883318000184 Published Online on 1 June 2018

La représentation rhapsodique: Quand la scène invente le texte. By Rafaëlle Jolivet Pignon. Montpellier: L'Entretemps, 2015. Pp. 366. $26 Pb.
Reviewed by Laure Fernandez
Theatre Research International, Volume 43 / Issue 1, March 2018, pp 115 - 117
doi: 10.1017/S0307883318000196 Published Online on 1 June 2018

Theaterdramaturgien von der Aufklärung bis zur Gegenwart. By Evelyn Deutsch-Schreiner. Vienna: Böhlau, 2016. Pp. 351. €24.99 Pb.
Reviewed by Jeroen Coppens
Theatre Research International, Volume 43 / Issue 1, March 2018, pp 117 - 118
doi: 10.1017/S0307883318000202 Published Online on 1 June 2018

Trickster Theatre: The Poetics of Freedom in Urban Africa. By Jesse Weaver Shipley. Bloomington and Indianapolis: Indiana University Press, 2015. Pp. xii + 285 + 16 illus. $85 Hb; $35 Pb; $34.99 Ebook. - Spiders of the Market: Ghanaian Trickster Performance in a Web of Neoliberalism. By David Afriyie Donkor. Bloomington and Indianapolis: Indiana University Press, 2016. Pp. xvii + 233 + 11 illus. $80 Hb; $30 Pb; $29.99 Ebook.
Reviewed by Christine Matzke
Theatre Research International, Volume 43 / Issue 1, March 2018, pp 118 - 121
doi: 10.1017/S0307883318000214 Published Online on 1 June 2018

 

Books Received.