The table contains the preliminary schedule for the Music Theatre WG sessions this coming conference in Stockholm.
MONDAY 13 JUNE, 9-10.30AM
SESSION 1
Chair: George Rodosthenous
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Paula SLEDZINSKA |
Navigating between the past and the future – National Theatre of Scotland and the musical construction of contemporary Scottish identities |
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Alison WALLS |
Porgy at the Pã: The New Zealand Opera Company’s 1965 Porgy and Bess |
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Sahoko TSUJI |
Interplays of how to dramatize past and a musical show in Billion Dollar Baby |
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David SAVRAN |
Broadway as Global Brand |
MONDAY 13 JUNE, 11am-12.30PM
SESSION 2
Chair: George Rodosthenous
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Magnus TESSING |
Death and Delirium in the Age of Sensibility: The Opera "Comala" (1780) by Calzabigi and Morandi |
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Helena SPURNA |
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Opera Theatre as a Reflection of Social Changes at the Beginning of “Normalization” in Czechoslovakia
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Helena LANGEWITZ
University Bern |
The So-called Boom of Baroque Opera and Historically Informed Performance Practice: What Does It Tell Us?
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Tereza HAVELKOVA |
Opera, Memory, and Collective Identity: Opera Scenes in Czech Narrative Cinema during Nazi Occupation |
MONDAY 13 JUNE, 2-3.30PM
SESSION 3
Chair: Marcus Tan
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Phoebe RUMSEY |
"Hamilton" the Musical: Remixing Historical Narratives |
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Sarah BROWNE |
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From Hair to Hamilton: Who lives, who dies, who tells your story? |
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Sheri ANDERSON |
Harmony and Understanding: A Study of the Physics of Equilibrium in the Musical Hair
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TUESDAY 14 JUNE, 9-10.30AM
SESSION 4
Chair: Marcus Tan
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Alejandro POSTIGO |
Making ‘The Copla Musical’: PaR and interculturalism in musical theatre |
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Marcus TAN |
(Re)Sounding the Past and/in the Present: Battlefield and the Ghost of Peter Brook’s Past |
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TANG Renfang |
‘If Music Be the Food of Love’: Music in Twelfth Night
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Millie TAYLOR |
Alarums and Flourishes: Musical Signification in Macbeth and A Midsummer Night’s Dream |
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