Theatre Research International

Theatre Research International

Theatre Research International publishes articles on theatre practices in their social, cultural, and historical contexts, their relationship to other media of representation, and to other fields of inquiry. The journal seeks to reflect the evolving diversity of critical idioms prevalent in the scholarship of differing world contexts. Editors: Dr Fintan Walsh Birkbeck, University of London, UK , Dr Silvija Jestrovic, University of Warwick, UK and Dr Tanya Dean, Ulster University, UK

Theatre Research International
Editorial

 

Editorial: Experiments in Time
FINTAN WALSH 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 115 - 117
doi: 10.1017/S0307883319000233 Published Online on 2 August 2019

 

Articles

 

An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India
SHARANYA 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 118 - 134
doi: 10.1017/S0307883319000014 Published Online on 2 August 2019

 

Alfred Dampier's ‘Shakespearean Fridays’
RICHARD FOTHERINGHAM 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 135 - 152
doi: 10.1017/S0307883319000026 Published Online on 2 August 2019

 

Sophie Tucker, Racial Hybridity and Interracial Relations in American Vaudeville
MARIA DE SIMONE 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 153 - 170
doi: 10.1017/S0307883319000038 Published Online on 2 August 2019

 

Dossier: The Theatre Historian Today

 

Total Heroism: Reinterpreting Sartre's Morts sans sépulture (The Victors) for the Chinese Stage
SHOUHUA QI, WEI ZHANG 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 171 - 188
doi: 10.1017/S030788331900004X Published Online on 2 August 2019

 

On Being a Twenty-First-Century Theatre Historian
DAVID WILES 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 189 - 195
doi: 10.1017/S0307883319000051 Published Online on 2 August 2019

 

Documenting Theatrical and Performative Philippines: Possibilities of a Task and a Practice
OSCAR TANTOCO SERQUIÑA 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 196 - 199
doi: 10.1017/S0307883319000063 Published Online on 2 August 2019

 

Theatre History Studies in Latin America Today: Issues in Common
LORENA VERZERO 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 200 - 202
doi: 10.1017/S0307883319000075 Published Online on 2 August 2019

 

Doing ‘Social Practice’: Political Strategies of Truth Generation for the Friendly Neighbourhood Theatre Historian
PROMONA SENGUPTA 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 203 - 205
doi: 10.1017/S0307883319000087 Published Online on 2 August 2019


Double Take

The Feminist Spectator as Critic: Second Edition. By Jill Dolan. Ann Arbor: University of Michigan Press, 2012. Pp. xliv + 168 + 4 illus. £19.38/$24.95 Pb.
Sarah Gorman 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 206 - 209
doi: 10.1017/S0307883319000099 Published Online on 2 August 2019

 


New Books

Buhol-Buhol/Entanglement: Contemporary Theatre in Metropolitan Manila. By Sir Anril Pineda Tiatco. Bern: Peter Lang AG, 2017. Pp. xiv + 233. £51.00/$74.95 Pb.
Laura Cabochan 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 209 - 210
doi: 10.1017/S0307883319000105 Published Online on 2 August 2019

 

Choreomania: Dance and Disorder. By Kélina Gotman. Oxford: Oxford University Press, 2018. Pp. xvi + 361. £71/$99 Hb; £36.49/$49.95 Pb.
Rebecca Chaleff 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 210 - 211
doi: 10.1017/S0307883319000117 Published Online on 2 August 2019

 

Art, Madness and Society: Beyond Illness. By Anna Harpin. Abingdon: Routledge, 2018. Pp. xii + 227. £110.00/$150.00 Hb; £29.99/$39.95 Pb.
Matt Hargrave 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 211 - 212
doi: 10.1017/S0307883319000129 Published Online on 2 August 2019

 

Political Acts: Women in Northern Irish Theatre, 1921–2012. By Fiona Coleman Coffey. Syracuse: Syracuse University Press, 2016. Pp. xx + 294. $65 Hb; $29.95 Pb.
Tara Harney-Mahajan 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 213 - 214
doi: 10.1017/S0307883319000130 Published Online on 2 August 2019

 

Applied Theatre: Economies. Edited by Molly Mullen. London and New York: Bloomsbury, 2019. Pp. xiv + 265. £64.80/$73.44 Hb.
Oluchi J. Igili 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 214 - 215
doi: 10.1017/S0307883319000142 Published Online on 2 August 2019

 

Fiery Temporalities in Theatre and Performance: The Initiation of History. By Maurya Wickstrom. London and New York: Bloomsbury, 2018. Pp. x + 249. £81.00 Hb.
Eleanor Massie 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 215 - 216
doi: 10.1017/S0307883319000154 Published Online on 2 August 2019

 

Performing Dramaturgy. By Fiona Graham. Wellington: Playmarket, 2017. Pp. iii + 190. NZ$40 Pb.
Sharon Mazer 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 216 - 217
doi: 10.1017/S0307883319000166 Published Online on 2 August 2019

 

Experiencing Liveness in Contemporary Performance: Interdisciplinary Perspectives. Edited by Matthew Reason and Anja Mølle Lindelof. New York and London: Routledge, 2016. Pp. xvi + 304. $155 Hb; $57.95 Ebook.
Julia Nawrot 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 218 - 219
doi: 10.1017/S0307883319000245 Published Online on 2 August 2019

 

Between Jerusalem and Athens: Israeli Theatre and the Classical Tradition. By Nurit Yaari. Oxford: Oxford University Press, 2018. Pp. xvii + 460. £100 Hb.
Freddie Rokem 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 219 - 220
doi: 10.1017/S030788331900018X Published Online on 2 August 2019

 

Australian Theatre after the New Wave: Policy, Subsidy and the Alternative Artist. By Julian Meyrick. Leiden: Brill Rodopi, 2017. Pp. xxii + 264 + 13 illus. $82.00/€71 Hb.
Elizabeth Schafer 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 220 - 221
doi: 10.1017/S0307883319000191 Published Online on 2 August 2019

 

New Directions in Teaching Theatre Arts. Edited by Anne Fliotsos and Gail S. Medford. Cham: Palgrave Macmillan, 2018. Pp. xix + 310 + 7 illus. $199.99 Hb.
Collin Vorbeck 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 221 - 222
doi: 10.1017/S0307883319000208 Published Online on 2 August 2019

 

The Creative Critic: Writing as/about Practice. Edited by Katja Hilevaara and Emily Orley. London: Routledge, 2018. Pp. xxii + 304. £110.00 Hb; £29.99 Pb; £15.00 Ebook.
Stuart Wood 
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 223 - 223
doi: 10.1017/S030788331900021X Published Online on 2 August 2019

 

Books Received
Theatre Research International, Volume 44 / Issue 2, July 2019, pp 224 - 225
doi: 10.1017/S0307883319000221 Published Online on 2 August 2019

 

Front Cover (OFC, IFC) and matter

 

TRI volume 44 issue 2 Cover and Front matter
Theatre Research International, Volume 44 / Issue 2, July 2019, pp f1 - f4
doi: 10.1017/S0307883319000257 Published Online on 2 August 2019

 

Back Cover (IBC, OBC) and matter

 

TRI volume 44 issue 2 Cover and Back matter
Theatre Research International, Volume 44 / Issue 2, July 2019, pp b1 - b2
doi: 10.1017/S0307883319000269 Published Online on 2 August 2019

 

 

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