REMINDER: CFP for PSi Artistic Research Working Group
10 March, 2020 by Bruce Barton | 0 comments
REMINDER: Approaching Deadline of March 15, 2020 / PSi Artistic Research Working Group / Also: PRE-CONFERENCE SESSION confirmed for July 6, 2020.
A project of the Artistic Research Working Group of PSi
Inspired by the announced theme for PSi#26: Crises of Care: Act, Respond, Engage— the Artistic Research Working Group will continue to develop a way of working explored over the past two years, and specifically last year’s “Performance, Response, Extraction: the Elasticity of Artistic Research” gathering in Calgary, Canada at PSi#25. Our “performance-response-extraction” approach last year was the most recent adaptation of our established “Porous Studio” model of interaction. Developed several years ago, the Porous Studio was an ambitious but contained invitation to PSi member artists and local practitioners from the constantly changing conference locations to join the Artistic Research Working Group in a space of intermixing, contamination, and multiplicity. While this gathering has traditionally been restricted to the annual conference event, over the past 2 years we have experimented with a new mode of working that involves online pre-conference contributions, exchange and creative research. Last year we added to the established process of “performance and response" a third aspect or phase: the extraction of a research problem or research question, that can then be fed back into future discussion. (The program and submitted extracts from PSi#25 are available on our blog: http://psi-artistic-research-working-group.blogspot.com.) At this year’s gathering (on the basis that the PSi conference proceeds as planned) we are shifting the emphasis of this final phase to one of extension, which we believe will provide for greater agency and independence for participants.
Artistic Research is meant as an elastic umbrella concept that includes a range of approaches that use art, creative practice or performance as a primary means and method of inquiry. These include the distinct approaches 'performance as research' (PAR), ‘practice as research’ (PaR), 'practice-based research' (PBR), ‘practice-led research, ‘creative arts research’, 'research-creation', 'arts-based research', and numerous other associated practices. In many cases, the subject of study is artistic practice itself, as in 'artistic inquiry.’ In others, creative practice is used as a way of investigating non-artistic (or not exclusively artistic) subjects. Our aim is to invite a broad spectrum of these approaches, drawn from within and beyond academic and institutional contexts, to reflect the diverse and vital abundance of interrelated orientations, perspectives, and approaches to research in contemporary art.
Model of Engagement for PSi#26
Stage One: Each participant submits an artistic research project (at any stage of development) or performance documented in some manner, supported by images, audio, video, text, etc., together with a written description or abstract of 100-300 words that introduces the general idea of the project. It should be possible to experience (read, view, or listen to) the submitted materials within a period of 60 minutes. All proposals must be received no later than 15 March 2020. Please send the abstracts (with links to the artistic research materials) in an email with the subject title “ARWG 2018” to the three Working Group conveners (emails below). All accepted abstracts will be posted to a dedicated online folder. Participants will then be able to submit additional materials to individual sub-folders, either directly or via links to existing online platforms (such as Vimeo, Youtube, etc.).
Stage Two: Each participant is assigned another participant’s submission by 31 March 2020, and is invited to prepare a presentational response to that submission, using their own preferred mode of practice to critically engage with the submission. The response can take the form of a performance, a participatory research exercise, a written document to be read aloud, etc. The respondents will submit the title and duration of their response (from 5 min to 20 min.) to the group no later than 31 May 2020.
Stage Three: Participants present their responses at the working group sessions during the conference in Rijeka. The 100-300 word abstracts are made available in advance for the other participants and onsite for all other attendees at the open session who have not had access to online materials.
Stage Four: Each participant is assigned one of the ‘submission and response’ pairings witnessed in Rijeka and asked to extract a question or problem out of that exchange, leading to the preparation of a shareable object (document, recording, etc.). These ‘extensions’ are based on the witnessed exchange but also reflect the third participant’s original contribution to the exchange in a form that can be both shared and archived online. The extensions should be uploaded to the participant’s individual sub-folder no later than 1 September 2020.
On behalf of the working group convenors: